Legendary director Ingmar Bergman once said of cinema, “No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.” In the film Predator 2, Danny Glover’s character Mike Harrigan said, “Okay, pussy face, it’s your move.”
And that is Predator 2 in a nutshell: harsh, intense, blunt, and above all, aggressive. Predator 2 is a nasty piece of work, and I mean that in the best way possible. Full of awesome action, brutal violence, and more f-bombs than you can shake a smart disc at, Predator 2 has always been a personal favorite of mine, and I’ve long felt that it has been unjustly maligned ever since its release back in 1990.
That’s right, 1990, which means 2015 marks the sci-fi sequel’s 25th anniversary. What better time to count down the many reasons why Predator 2 is the best Predator of them all?
1. Twentieth Century Fox spared no expense.
Though the budget for Predator 2 is listed at $35 million, it looks like it cost twice that amount, and director Stephen Hopkins deserves much of that credit. His vision of a near-future Los Angeles is shot through an impressive array of camera techniques, from ultra-smooth steadicam work to long, elaborate dolly shots. Combine that with razor-sharp editing, and the movie is a visual stunner, which brings us to the production itself: elaborate sets, large scale location shots in the heart of Los Angeles, amazing practical effects, and a tremendously talented cast.
And to top it all off, Predator 2 was given the Thanksgiving holiday for its opening weekend, one of the top four premier weekends for the entire year (Memorial Day, the 4th of July, and Christmas being the other three). Regardless of the Monday morning quarterbacking that came afterwards, Fox was all-in on Predator 2.
2 . No Arnold? No problem.
Much of the blame for Predator 2’s lack of box office success was placed on Arnold Schwarzenegger not returning. I never understood this argument. The movie is about the Predator, not Arnold’s special ops unit. It only made sense for there to be a new group of characters to follow, and a new environment as well. Anything else would be a simple rehash of the first movie. I’m looking at you, Predators.
Never too old for this shit.
Danny Glover may not have been the iconic action hero that Arnold was, but he sure gave it his best shot — and gave us one of sci-fi’s most memorable characters in return. Mike Harrigan is one serious motherfucker, a tightly wound coil of pure testosterone and aggression. He isn’t just a loose cannon: he’s a loose artillery battalion. Get in his way, and he will knock you the fuck out. He is the action movie version of Honey Badger.
3. We now join our story, already in progress…
One of the great things about both Predator movies is that they would still be compelling stories even if the Predator weren’t there killing everybody. Set ten years after the events of the first movie, Predator 2 takes place in the “future” world of 1997, but doesn’t go overboard on the futuristic setting. The only indication that the movie is set in the future is that all the guns have laser sights, and the police drive around in Pontiac Transport vans.
Pictured: future cops.
However, the near-future setting is important, because the movie depicts Los Angeles as a war zone, with rival gangs of Colombian and Jamaican drug cartels fighting for control of the city. The police are out numbered and outgunned, barely keeping their heads above water. The city is on the verge of marshal law, and that’s before the Predator even shows up. Much like the spec-ops mission of the first movie, the LA war zone is a fantastic setting for a great action movie. The alien hunter from space who rips out spines and keeps them for trophies is just icing on the cake.
4. The Predator is bigger, better, and more badass.
In the first movie, the Predator had only his cloaking device, wrist blades, and shoulder cannon (self-destruction capabilities don’t really count). Much like human hunters who stalk animals, the Predator shows up to the hunt with the odds in his favor, ready to take on prey that has no idea he is there with ridiculously overpowered weaponry.
Our hunter in Predator 2 comes with the standard weapons, but packs a whole new bag of goodies: a net launcher, a retractable spear, a spear gun, and the smart disc — a heat seeking, bladed frisbee of death. There have been countless iterations of the Predator in comic books, video games, and a movies, but his arsenal has remained largely unchanged since Predator 2, because it just doesn’t get much better.
5. It is Alan Silvestri’s finest hour.
Music composer Alan Silvestri is arguably best known for his scores to Back to the Future, Forrest Gump, and, well, Predator. This is for good reason: Alan Silvestri is an outstanding music composer whose list of film scores is riddled with excellence. And Predator 2 might just be the best of them all.
Silvestri takes the themes established in the first movie and cranks them up well beyond eleven. With an ever-so-intensified tempo, the percussion hits a little harder, the strings stab a little sharper, and the horns hit you in the chest like a sledgehammer. Added to the mix are a fresh set of tribal drums and a creepy, low-end vocal chorus. The results are audio gold.
If you need any convincing, just listen to the End Titles suite — an eight minute tour de force that starts off slowly and softly before weaving upwards of six or seven distinctly different motifs, building and building to a monumental climax. It is equal parts mysterious and sinister, epicly sweeping and intensely action packed. If you get to the end of that track and don’t feel goosebumps, you better go see a doctor, because you are probably dead.
6. Bill Paxton completes the movie monster trifecta.
Spoiler alert: lots of people die in this movie, most of them very violently. In fact, Predator 2 was reportedly the first movie to earn an NC-17 rating purely for violence — it was edited several times to get an R rating (even Stephen Hopkins himself seemed shocked by the violence in his own movie when he recorded his director’s commentary for the DVD). Bill Paxton is among the vast body count, making him the first and only actor to die onscreen at the hands of a Predator, an Alien, and a Terminator. But he doesn’t go down without a fight. Paxton’s death in Predator 2 is much more heroic and dignified than either of those other movies.
Anyone with an ID badge has said dignity.
And before anyone says, “But Lance Henrickson in The Terminator, Aliens, and AvP…” remember, Bishop survived his encounter with the Queen in Aliens. It was the escape pod’s crash in Alien 3 that was his ultimate undoing.
7. It has a massive 30-minute climax.
The final showdown between Dutch and the Predator in the first movie was a classic mano a mano movie beatdown, but much of the climax played out like a Splinter Cell stealth mission. By contrast, the finale of Predator 2 is more like a kinetic, nonstop deathmatch in Titanfall, and it lasts nearly one-third of the movie’s running time.
It starts with an intense shootout in a high speed subway before spilling out into the LA streets, through a meat-packing plant, across rooftops, down elevator shafts, and finally ending up somewhere we’ve never been before — inside the Predator’s ship itself. Speaking of which…
8. The Predator has a sick trophy case.
A universe is born.
The backstory of the Predator was only hinted at in the first movie. Predator 2 opened up a whole universe of mythology the moment Harrigan discovered the Predator’s trophy case aboard the ship. Not only does it contain a few human skulls, but wide rage of creature skulls too, including the jaw-dropping Alien Xenomorph.
Never before had one sci-fi movie made such a direct connection to another with that magnitude. Predator 2 may not have been seen by a lot of people when it hit theaters, but everyone remembered that scene. It was the mother of all Easter eggs that spawned the vast Aliens vs Predator franchise that now includes comic books, video games, expanded universe novels, and even two movies. For better or worse, our pop culture gained a lot from what was intended to be a small, inside joke.
Honorable Mention: There’s “fucking voodoo magic!”
There might be no sequence more bonkers than the one including the quote above. About twenty minutes into the movie, the camera enters the apartment of the Colombian drug lord El Scorpio. He is so busy having crazy sex with his girlfriend that it takes him several moments to notice a band of Jamaican gang members have broken into his home.
The Jamaicans are there to prove their superiority over the Colombians by capturing their leader and cutting out his heart (which they do). But then the Predator shows up, kills the Jamaicans in a massive firefight, and shows them who’s boss by hanging them up and skinning them. It is an insane series of events that you will likely never see in a movie again.
Article by contributor JC.